This summer we have seen more rain than usual. When this occurs, I always keep an eye out for the mushrooms. To give you a point of reference all the mushrooms averaged about 1 inch in height. All of these images were shot with the Olympus OM-D EM1 MkII and paired with either the 60mm f2.8 or the 30mm f3.5 macro lens.
Last weekend I had the opportunity to present a workshop on one of my favorite subjects, “Architecture” and to lead a photo walk to the Wisconsin State Capitol building in Madison. Both events were sponsored by Olympus for The Camera Company. This structure was amazing beyond my belief. This place stands as one on my top 5 places to photograph architecture in the United States. If you are anywhere near Madison, it is an absolute must see structure. I learned this building’s exterior dome is the largest granite dome in the world. I can’t wait to go back! All images were shot with the Olympus OM-D EM1 MkII paired with either the M.Zuiko 7-14 f2.8 PRO, ED 8mm f1.8 Fisheye PRO or the ED 12-100mm f4.0 IS PRO.
I was in Sarasota Florida a few weeks ago and decided to focus on my roots.
Camera: Olympus OM-D E-M1 MkII with the M.Zuiko 12-100mm f4.0 PRO. All images created in camera with “Monochrome” setting.
A couple of weeks ago my friend Dave Rehrig and I decided to head over to Muhenberg College and photograph the Chapel. I have never seen it before and I must admit, I was pleasantly surprised. It had a very gothic feel and as such, I thought the images would be best viewed in a black & white. In order to capture the glass windows behind me, I used the Olympus OM-D E-M1 MkII paired with the M.Zuiko Digital ED 8mm f1.8 fisheye PRO lens. Take notice to the light fixtures. The subsequent images of the fixtures were shot with the M. Zuiko ED 12-100mm PRO IS lens in order to give me some compression with the shot.
This past weekend I had it in my head that I wanted to accomplish some long exposures in an area by a beautiful foot bridge in Trexler Park, Allentown, PA. Having been there the week before, I had a pre-conceived plan of how I wanted to approach the composition. The only thing I needed was the cooperation of Mother Nature. She was a bit finicky at the start. But in the end, she came through for me. Note: All of the following images utilized a 10 stop neutral density filter and were taken with the Olympus OM-D E-M1 MkII paired with the M.Zuiko ED 7-14mm f2.8 PRO.
ISO 64, 10mm, f/16, 60.0 secs.
This next image was taken using Olympus’ “Live Composite” mode. By using this approach, I am able to create a more painterly effect in the sky. This is accomplished by setting the camera to expose every 2 seconds. The total time on this image was 3 minutes.
ISO 200, 9mm, f/5.6, 180 secs
This final image is a shot of an old hunting cabin adjacent to the the foot bridge.
ISO 200, 10mm, f/10, 60.0 secs.
Photographing people is an art and there are very important rules and etiquette to follow in order to truly capture the most dynamic image. Personality and perseverance are important attributes to have as you venture in to foreign turf.
First and foremost, a smile is the international sign of non-confrontational behavior. Being able to approach people is the most important aspect in being able to photograph them. A smile can be that very simple gesture that is the ice breaker.
Secondly, don’t be afraid to be bold. Not asking means not getting the opportunity. Human nature is such that you can sense in a relative short period of time whether an opportunity exists or not.
Third, learning and understanding cultural differences is very important especially with foreign travel. Prior to traveling abroad spend time and research where you are going. Once you have arrived, engage in conversations with the tour guides and other people you meet along the way. Having a genuine interest in their surroundings can often times lead to greater opportunities to photograph.
For example, I have been to India many times and with each trip, I have learned to embrace the culture. Women in particular regions do not want to have their picture taken. Showing respect to the culture and their preferences is very important. It is not to say that you can’t get the shot, however you will be able to cultivate a better opportunity if you are respectful and work within certain boundaries.
Once you have been able to bridge the cultural gap and / or their fear of having their picture taken through engaging them and conversations, you will then be able to get their cooperation. Once engaged they will more likely be inclined to allow you to manage the shot including changing their location, position or pose as well as shifting the background and lighting to enhance your shot.
When you are in a new environment, engaging in dialogue is very important. Once you are able to break down any barriers through both verbal and nonverbal communication coupled with respect, you will change the dynamic. One of the ways to break the ice is to show show the images on the camera’s view finder to the individual. The results from their reaction in seeing themselves will open the door for you to capture their faces.
No is no and you need to respect that from someone not wanting to cooperate. It doesn’t mean that you can’t otherwise accomplish your shot. Walk away, reposition yourself and be discreet in taking the photo. However, respect in this regard is still key.
From my traveling experience, here are a few examples of how I was able to get the shot I wanted.
In 2013 I was in India attending the largest gathering of human mass in the world- Kumbh Mela. 30 plus million people come to the Ganges River as part of a religious festival. There was significant photographic opportunities but what I wanted to capture was the true essence of the people and the culture. Here are a few images from the festival. First the overwhelming crowd shots; next a more intimate gathering of certain tribal leaders and lastly the opportunity to be invited into their personal space for a photograph. The opportunity was a result of my expressed interest in them and curiosity as to their time of worship.
In Africa, during the celebration of South Sudan becoming an independent nation, the opportunity presented itself once again through engaging discussions and curiosity to be directly on the ground during the event. Here the key was to be respectful of their space and the ceremony. It required the ability to be nimble and fast.
Lastly, in Morocco earlier this year, I was able to capture the image of this woman with her more traditional garb. Through conversation, I engaged her to allow me to photograph her directly. In this situation, I promised to send the image to her which I did. Other individuals there were less willing to have their pictures taken. I was able to regroup from a different angle and capture the image and with it, the culture.
The Olympus micro 4/3rd’s system also has a distinct advantage. The equipment is small and unassuming. Often times because of the size, people are less intimidated and more willing to go along with the shot.
So pack your bags, do your research and remember that a smile may be all it takes to open a door.
As a follow up to the previous post I did, I went back to the Gorge 2 weeks later. It was amazing to see the change with the temperatures dropped. I was also experimenting with Olympus’s new 12-100 f4.0 PRO lens. With this camera & lens combination you achieve up to 6.5 shutter speed steps of compensation. The long exposure shots in this post are 2 seconds long and handheld. I continue to be impressed with the image stabilization technology.
